Canon Pro 2600: The 24" Fine Art Printer That Actually Moves the Needle
If you run a studio, print lab or busy in-house graphics department, you’ve probably noticed that 24" printers all start sounding the same on paper. But in day-to-day use, the Canon Pro 2600 behaves very differently. It is built for photographers, fine art printers and design teams who care about colour, consistency and predictable running costs.
12-Colour Lucia PRO II Inks: Where the Canon Pro 2600 Pulls Ahead
The LUCIA PRO II 12-colour pigment ink system delivers:
- Huge colour gamut
- Deep, clean blacks
- Superior shadow detail
- Smoother gradient transitions
- Archival longevity on the right media
Designed for Real Workflows, Not Brochure Talk
- Automatic roll loading & skew correction
- Built-in colour calibration
- Optional dual-roll configuration
- Clean, intuitive touchscreen UI
Running Costs & Reliability
The Canon Pro 2600 keeps running costs under control with:
- Efficient cleaning cycles
- No wasted ink during black switching
- User-replaceable print head
- High-capacity tanks for heavy workflows
Canon Pro 2600 vs Epson P-Series vs HP Z-Series
In real studios, differences in colour stability, operator time and ink waste matter more than raw specs. Here’s how they truly compare.
| Feature | Canon Pro 2600 | Epson P-Series | HP Z-Series |
|---|---|---|---|
| Ink system | 12-colour LUCIA PRO II pigment, huge gamut, perfect for photography & fine art | UltraChrome pigment, excellent but narrower gamut | 6–9 colours, more CAD/graphics focused |
| Black switching | No switching needed: matte & photo black always active | Some models still switch & waste ink | No switching required |
| Workflow focus | Premium photo, fine art, exhibitions | Photography, proofing | CAD, posters, mixed graphics |
| Media handling | Auto roll load, skew correction, rock-solid tracking | Good but more manual on some models | CAD-oriented handling |
| Running costs | Low waste, efficient cleaning, high-cap tanks | Great quality, slightly higher cleaning usage | Optimised for graphics not fine art detail |
| Reliability | Low clog rate, user-replaceable head | Can clog if idle | Stable for CAD, less for high-end imagery |
What This Means in Real Studio Work
Once these printers are put into real-world workflows, the Canon Pro 2600 shows its value fast. Less operator intervention, fewer nozzle issues, consistent colour across long runs — these all translate directly into time saved and higher margins.
Thinking About a Canon Pro 2600 for Your Studio?
Need running cost numbers, media recommendations or honest comparison advice? We’re here to help.
Why Choose RGB UK for Your Canon Pro 2600?
Canon Large Format Specialists
We work with imagePROGRAF printers daily, so our recommendations are based on real-world output.
No-Nonsense Running Cost Advice
We help you understand ink usage, media choices and what the Pro 2600 will cost per print.
Ongoing Support
If you ever need help, we’re only a call away — from media suggestions to colour issues.
Studio-Grade Testing
We run the same types of print jobs you do — exhibitions, fine art, photo work and commercial prints.
Future-Proof Guidance
We make sure your studio is set up for growth, consistent colour and profitable workflows.
Clear, Honest Advice
No jargon, no pressure — just practical recommendations.
Recommended Media for the Canon Pro 2600
Hahnemühle Photo Rag 308gsm
Beautiful cotton matte paper ideal for fine art and exhibitions.
Baryta Fibre Papers
Darkroom-style look with modern pigment control.
Semi-Gloss & Lustre
Reliable, vibrant prints for commercial work.
Textured Fine Art Papers
Perfect for illustration, watercolour and art scans.
Canvas Rolls
Great for wall art, décor and stretched prints.
Proofing Papers
Accurate colour matching for design and prepress.
Canon Pro 2600 – Frequently Asked Questions
Is the Canon Pro 2600 good for fine art printing?
Yes — it’s one of the strongest 24" printers for fine art thanks to its 12-colour LUCIA PRO II inks and smooth tonal gradation.
Does it work well with Hahnemühle papers?
Absolutely. Photo Rag, German Etching and Baryta varieties all pair beautifully with the Pro 2600’s high D-max and pigment set.
How does it compare with Epson?
Epson excels in some photographic workflows, but the Canon tends to need less maintenance and no black ink switching.
Is the Pro 2600 suitable for commercial print shops?
Yes. It handles everything from posters to gallery prints, and its reliability reduces downtime.